The BENDYsound mix stage in Inglewood: wood desks, orange client chairs, PMC monitors, and the Atmos picture wall.

Inglewood · Los Angeles

Immersive post-production sound services

Perfect sound, right out of the box.

BENDYsound is a complete immersive audio post-production facility for film, television, and advertising. Specialties include sound design, all-format mixing, Foley, ADR, sound restoration, and extensive project management. Remote client approvals and a scalable process mean we can meet your specific needs without watering down your expectations.

9.1.4Dolby Atmos stage
30+years in audio post
708+hours of content
3×Emmy nominated

Work

Selected credits

From feature releases to network and streaming — we have logged innumerable hours of viewed (and heard) content on virtually every platform. Put our decades of audio post-production experience to work for you.

Selected credits. Sound department listings also appear on IMDb. Full filmography on IMDb.

Services

End-to-end audio post

One facility, one conversation. We take projects from editorial through delivery so you are not stitching together rooms, schedules, and notes.

Project Management

Hundreds of episodes under a hard air date, a primetime staple in its thirtieth season, or a feature that cannot miss delivery — getting sound to picture takes planning, organization, and a single thread of communication. We run the schedule, the assets, and the notes so the mix is not a scramble.

Sound Design

Sound design is the creative direction for everything that may or may not already exist in production and music. It can be stylized or hyperreal; more often it is subtle and unobtrusive. Beyond filling holes, it is the total aural aesthetic of the show.

Audio Mixing

Mixing gathers every guiding hand on a project — producer, director, recordist, composer, designer, editor — and builds a cohesive sonic story from those intentions. Stereo through Dolby Atmos 9.1.4, with remote review when you cannot be on the stage.

ADR & Voiceover

A closet and a phone will not hold a performance. ADR and VO need the right room, the right chain, and enough time to get the line. We record to the picture, not around it.

Foley

Foley is what makes a cut feel inhabited. We record in house — footsteps, cloth, props, the messy bits — so the track has weight without calling attention to itself.

Sound Restoration

Airplanes, off-mic lines, a phone grab on the only take that works. We specialize in production sound that looks unusable on first listen, and we get it to a place you can mix.

Stage

9.1.4 Dolby Atmos

Our facility is centered around a 9.1.4 Dolby Atmos mix stage, ideal for broadcast and streaming — scalable for theatrical projects — Bryston / PMC monitoring, AVID and custom control surfaces, all rounded out by a comfortable creative space. We deliver all formats from the smallest mono speaker to the latest immersive experience.

Complete audio services in-house and via partner studios: VO, Group, ADR, Foley, Sound Design and Editorial, plus bespoke hardware and software developed over decades of sound experimentation. Remote playback and approvals combined with secure content management systems — keeping you in the session from anywhere in the world.

Sketch studies of rooms, racks, and studio layouts
Client desk looking into the Atmos mix, with picture and console lit
Exterior of the BENDYsound studio building in Inglewood under a patterned sky
Mix stage with orange client chairs, PMC monitors, AVID control surfaces, and picture wall
Andy Snavley at the AVID control surface on the mix stage
ADR room with microphone, picture monitor, and window into the control room
Archive room with reel-to-reel decks, vinyl, and vintage broadcast gear
Modular synthesizer racks and Haken Continuum for sound design
Session in the suite with guitar and picture monitoring

Client desk

Company

Small company. Full facility.

BENDY

Post-production sound services. IMDb.

BENDY was founded in 2004 by Andy Snavley as a small yet nimble audio post company — flexible enough to ride industry changes, devoted to high-quality sound for picture, and serious about how the work gets done. Communication is the foundation of our process — one clear thread from first turnover to final delivery, whether you are on our stage or on the beach.

Our Inglewood facility opened in 2012 in a rehabilitated commercial space, purpose-built and modernized from top to bottom. From that studio we have delivered for Netflix, HBO, Amazon, and platforms across broadcast and streaming — plus Atmos mixes for features, docs, and advertising.

Andy Snavley, CAS

Sound experimenter / designer, and re-recording mixer. CAS, AFM, SAG-AFTRA. IMDb. LinkedIn.

Raised in a family of musicians, inventors, and tinkerers, Andy has been chasing sound since he could press record — stories, skits, songs, and jokes, with no script and plenty of effects. That itch carried him into an apprenticeship at Soundstorm, learning the old-school Hollywood sound craft, then into composing and sound design at tomandandy and CB+Co / Mike Recording, making work for agencies and brands including Apple, Nike, Coca-Cola, Lexus, and Toyota. He founded BENDY in 2004 and has been building the tools, the teams, and the mixes ever since — still in the studio, still experimenting, still solving the next problem where technology and craft meet.

Contact

Patch in

BENDY

A California corporation · est. 2004

1640 Centinela Ave

Inglewood, CA 90302

By appointment only

310.337.9727

info@bendysound.com

Client access: bendysound.com/xfr

Music production: BENDYmusic